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Cultural Mobility Yearbook 2026
This fourth edition of the Cultural Mobility Yearbook continues On the Move’s ongoing analysis of trends, opportunities and challenges in the field of international cultural mobility. Since its first edition, the Yearbook has explored how artists and cultural professionals are adapting to changing conditions, from the rise of digital mobility after the Covid-19 pandemic, to the growing importance of environmental sustainability, and the role of training and professional development in shaping the future of the sector.
Across previous editions, one recurring finding has emerged: the cultural mobility sector is full of experimentation, creativity and willingness to rethink how cross-border work can happen. At the same time, artists and culture professionals often lack the resources, structures and support needed to fully transform the ways they travel, collaborate and work internationally.
This edition focuses on young and emerging art workers, looking at the specific opportunities and barriers they face at the beginning of their careers. Building on previous areas of analysis, including digital mobility and environmental sustainability, the Yearbook examines how mobility opportunities are designed, who they are intended for, and how terms such as “young” and “emerging” are defined across different calls.
In 2024, 84 calls published on the On the Move website referred specifically to “young” or “emerging” artists and culture professionals, while a further 37 calls mentioned “emerging” while also remaining open to mid-career or more experienced applicants. As On the Move does not have a separate category for emerging artists, these opportunities were identified through keyword searches, offering insight into the different ways organisations understand career stage, age, experience and professional development.
The report first presents an overview of cultural mobility opportunities in 2024, before turning to a more focused analysis of the conditions, definitions and challenges affecting young and emerging art workers. In doing so, it aims to contribute to a broader reflection on how mobility opportunities can become more accessible, inclusive and meaningful for those entering the cultural field today.